Martin Belej.

Visual & Brand Identity

An open kraft shipping box holding folded white tissue paper tied with a neon yellow band and a round black seal with two hearts, printed "Contém paneleirices. É isso mesmo."

Paneleirices is confident and unapologetic. Polished enough to pass for a luxury brand, unless you get hung up in the name.

The name

Paneleirices is a Portuguese word that sounds elegant until you know what it means.

Paneleirices is a Portuguese word that sounds elegant until you know .

The claim is É isso mesmo. It means “That’s right.” I wanted something short that answers the reader before they can object: yes, that’s what it says. My professor suggested “Why not?”, which was close, but it asks permission. This doesn’t.

The handwritten Paneleirices wordmark with its tagline: “É isso mesmo. (That’s right.)”

The why

Paneleirices is for anyone who has ever been told they were “too much” and should tone it down.

Paneleirices is for anyone who has ever been told they were “too much” and should tone it down. It takes the word that was used to shame and wears it on purpose, with ownership and quiet confidence. Social pressure to tone down, reclaiming language used to shame, doubling down because not doing so isn’t an option.

It’s about being ballsy and doubling down on whatever it is that you are or what you like. Because sometimes you don’t have other options than to double down. Except living with the shame of not doubling down, which is not really an option.

My teacher’s advice was to make the brand look polished, not DIY, because polish makes the word more shocking. So everything around the word is restrained, and the word does the shouting.

The mark

The handwritten mark is the main logo.

The handwritten mark is the main logo. It reads as a signature: direct, unapologetic, a bit cute. A typed version steps in where handwriting would hurt legibility, like small sizes and digital. The heart is only ever a small accent, never a logo on its own.

It didn’t start that way. In my first presentation the typed logo was the main one and the handwritten mark sat third. Classmates and another teacher reacted most strongly to the handwritten one, and he asked why it was only the tertiary logo. I had no answer. I think I had been using the hand-drawn version to make the word cute and palatable. I want it to be confident.

Getting there meant taking things away. I tried a heart on an i, which looked too much like Comme des Garçons and AMI Paris. I tried gradients, one of them very Facebook, and a louder yellow that was too aggressive. What survived is a restricted palette, a signature, a clean typed version for structure, and the heart as an accent.

Brand book: the primary logo, the handwritten mark in black on off-white and in white on black
Brand book: the secondary logo, the typed PANELEIRICES. in capitals with a neon rule
Brand book: the contextual icon, a small heart used as an accent

The system

Three colors, each with a name.

Three colors, each with a name. The Foundation is a near-black, #2E2E2E. The Backdrop is a warm off-white, #FAF9F6. The Accent is a neon yellow, #E3E829, and it’s only ever an accent: a stripe, an outline, a rule under a word. On screen that’s Pantone 809 C. In print, #F6FF00 matches it best, because #E3E829 goes dull on paper.

The type is Satoshi for the brand and Work Sans Light for everything that has to be read. Both are free to use. The materials are concrete, carton and cork.

The brand book has the rest: protection area, minimum sizes, what not to do, and how the logo sits on images, colors and textures.

Brand book: the logo
Brand book: the negative logo
Brand book: the typographic logo
Brand book: the negative typographic logo
Brand book: the contextual heart icon, positive, negative and favicon
Brand book: The Foundation, #2E2E2E
Brand book: The Backdrop, #FAF9F6
Brand book: The Accent, #E3E829, with print equivalents
Brand book: incorrect logo usage
Brand book: minimum logo sizes
Brand book: primary typography, Satoshi Regular
Brand book: secondary typography, Work Sans Light
Brand book: the logo’s protection area
Brand book: application on imagery
Brand book: application on color
Brand book: application on concrete, carton and cork textures

The imagery

For the imagery I used 3D models of antique statues from the SMK Open collection, styled as though they wore the products, with the accent color as an outline.

For the imagery I used 3D models of antique statues from the SMK Open collection, styled as though they wore the products, with the accent color as an outline. The models are free to use, take brand materials easily, and classical nudity is widely accepted as craftsmanship, which neutralizes the shock.

It was the first imagery idea. The ad campaign later moved on from it; the story is on the Advertising page.

A 3D statue of a discus thrower wearing a Paneleirices cap
A 3D statue seen from behind, wearing a black sweater with a fried egg graphic
A black statue holding a Paneleirices tote bag

Applications

Everything is kraft, off-white and black, with one neon line.

Everything is kraft, off-white and black, with one neon line. A business card, an envelope, a letterhead, a hang tag, a woven label, a shipping box, and tissue paper that says Contém paneleirices. É isso mesmo. The heart turns up on the inside, as a small private gesture.

Stationery

Stationery set on a gray surface: kraft envelopes with a neon edge, business cards, letterhead and a mug
Business card in kraft paper with the handwritten logo in white
Business card in kraft paper with the typed logo and a neon rule

Packaging

Two stacked kraft shipping boxes with a neon edge
An open shipping box with tissue paper reading Contém paneleirices, sealed with a heart sticker
A black hang tag with a heart, over a kraft tag with a neon base

Labels

Digital

A laptop showing the Paneleirices website with the discus-thrower statue

The response

After my presentation a classmate bought the hat and said the brand had “fuck you” energy.

After my presentation a classmate bought the hat and said the brand had “fuck you” energy. Someone said the handwritten logo has personality and is memorable, and that the typed version doesn’t. Another asked for a custom t-shirt for a drag performer friend. The decision to make the handwritten mark the main one was confirmed by the response.

Can you explain the word “paneleirices” to me?

paneleirices (n., pl.)

/pɐ.nɐ.lɐj.ˈɾi.sɨʃ/ · European Portuguese · vulgar, often offensive
singular: paneleirice

  1. Behaviour, taste or stuff seen as effeminate or “too gay” for a man. Basically “f*ggotry,” “f*ggy shit.” Used derogatorily by straights, but plenty of Portuguese gays say it about themselves and each other, the same way “bicha” gets reclaimed.

    “Deixa-te de paneleirices.” (Quit being such a f*g about it.)

  2. (extended, very common) Unnecessary fuss, frills or over-fanciness. Anything precious, extra or overdesigned. This sense often drops the gay meaning in casual speech, the same way English “gay” got bleached into “lame” in the 2000s.

    “Não quero paneleirices no prato, só um bitoque.” (I don’t want any fancy faff on my plate, just a steak and egg.)

Etymology: paneleiro + -ice, a suffix that turns adjectives into “the act or quality of being X,” as in tolice (foolishness) and parvoíce (idiocy). Paneleiro originally meant someone who makes or sells panelas (pots). How it became the main Portuguese slur for gay men is genuinely murky, and anyone who gives you a confident origin story is guessing.

Usage notes:

  • This is Portugal-specific. Brazilians would say viadagem for sense 1 or frescura for sense 2.
  • Who’s saying it matters a lot. A queer friend roasting your 14-step skincare routine at a bar in Príncipe Real is fine. A guy at the café saying it about two men holding hands is not. Same word, completely different energy.
  • If you’re learning Portuguese, you’ll hear sense 2 constantly. Be careful using it yourself until you can tell the room. Coming from a foreigner, it lands closer to the slur than you’d expect.